| general: |
The research focus of Amorphous Constructions has not changed significantly since the first proposal for my Masters of Fine Arts studies submitted in 1993.
Here is an early version from 1996.

|
| with respect to architecture: |
"From Parkbench to Decon-Minimalism: The Woolloomooloo Millennium Mix",
Artspace, Sydney, 2001
"Half the Room - Twice the Art (More or Less)",
Geelong Art Gallery, 2000
'NORTHWESTWIND - MILD TURBULENCE', 2000
Darren Knight Gallery, Sydney 1998
Darren Knight Gallery Project, Melbourne 1996
A paper given at the
morphe:nineteen97 Conference, Deakin University, Geelong, Australia outlines some of the concerns of Amorphous Constructions with respect to trends in contemporary architecture.
The presentation text is available here.

|
| with respect to nature: |
At the
A+N=D ? - Symposium, Sydney University,
an Australian Perspecta 1997 - Between Art and Nature Feature,
I commented on nature's influence on my research.
The presentation is available as a commented slide show.

|
| with respect to virtual reality: |
The 'SEMI-AUTOMATIC-SPACE-DOODLE' demonstrator researched the possibility of utilising Virtual Workbench technology as available at VMSD, German National Center for Information Technology, for a more intuitive geometry generator - designing through body movement rather than tedious input devices such as the mouse or the input tablet. More information on the project.

|
| with respect to new media technology in performance art: |
The collaboration with the performance ensemble 'Gravity Feed' resulted in the performance
'HOST' taking place at the Newtown Theatre, Sydney, throughout January 1999.

|
| with respect to alternative art practices: |
My involvement with Synapse Art Initiatives has culminated in a variety of artistic projects ranging from gallery inhabitation to coffee tastings in order to create a specific artist's blend. More information on Synapse Art Initiatives.
|